VICTOR BAHNA
DESIGNER
RESTORER
ARTIST
About Me

Hello!
My name is Victor Bahna. I am a recent graduate from the University of Oregon College of Design, with my degree in Architecture. My journey of learning, however, began far before this, and will continue as I keep growing.
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My first serious exposure to architecture came after I became intensely interested in historical French, and later American, architecture from the late 19th century as a middle-schooler. I began to research and learn about such architecture in my free time, understanding some terminology and focusing deeply into particularly American Victorian single-family residential architecture. This led me to learn about the various architectural styles that fall under Victorian, and later other architectural styles of single-family homes from the 19th and early 20th century. An exciting trip for me was not to an amusement park or to a toy/game store, but rather to historical houses and antique shops.
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By the time I was graduating high school, I was excitedly drawing historical houses, real and imagined, in both perspective and elevation; this led me to study architecture at college. From there, I learned more about what makes good design, and work in studios encouraged me to extend beyond my comfort zone and find my design style. Given all the ideas and history I have had with older buildings, many of my studio designs were historically informed. Unfortunately, by the end of 2021, when the world was finally coming out of the worst of the COVID pandemic and the brunt of the lockdowns, I was getting more fatigued.
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​In 2022, I was given the life-changing opportunity to study Italian language and culture abroad in Siena, Italy.
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moment by a canal was the final burst of energy needed to fuel the rest of my schooling. That little moment itself became the inspiration for my final thesis. I loved Italy so much that, when given the opportunity to go again in 2023, I immediately jumped on the opportunity. Given that this time, the study abroad was all about architecture, I gained even more appreciation for the architecture of Italy. Despite that studio being an intense workload, I believe that my love of Italy and fascination with the architecture led to one of my strongest projects. Eventually, I would like to return to Italy once again, not to study but to live and work full-time on their many historical treasures.​​​​​​​
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I spent the summer of 2023, after returning from Italy, in the coastal town of Astoria, Oregon, where I got to gain some experience working on a handful of Victorian houses. This experience was especially valuable as it realized my first-ever project that was really built. It has been incredibly exciting to see a project that I put on paper become something that really exists.​​​​​​

Despite not being within my specific discipline of architecture, getting to live and work in a country with such a rich tapestry of historical art and architecture opened my eyes, gave me newfound appreciation for, and infused in me new vigor to work on historical and
historically-informed architecture. I also got to travel to Venice, where a quiet

Astoria came back into my life in my terminal studio; I originally wanted to do a project in Venice, but I realized quickly that the scope of the project would not work in the context of a place like Venice. Because we were allowed to choose our own sites, I settled pretty quickly on a ruined cannery building in Astoria; its siting over the water also allowed me to draw a connection to the similarly-sited Venice. This project allowed me to explore creativity between indoor and outdoor spaces, reuse of objects and buildings, and how my project could improve a depressed neighborhood.
​I graduated in June of 2024 with my B. Arch and Magna Cum Laude honors. I found work in August with Richaven Architecture & Preservation, where I learned even more than I possibly could have imagined about historical architecture and its preservation. During my time there, I worked on a variety of projects ranging in scale and use, and my responsibilities ranged from working on planning and Section 106 reports to working on technical drawings and assisting with punchlisting. By the end of my nearly three-and-a-half month tenure there, I felt like I learned so much about what goes into architecture.
Beyond schooling and architecture, I have found myself engaged in a variety of other hobbies, many of which are also related to history and preservation.
One major hobby that I have is the restoration and repair of various types of antiques. Since my sister first took me to an antique store when I was preschool, which was a formative moment for me. An avid clock enthusiast at that time, my world was changed when I learned about historical items and antiques. By the time I was a teenager, I had acquired many antiques, yet the thing that intrigued me the most was resurrecting antiques that were damaged or abandoned. As a result, I bought a broken antique weight-driven clock when I was 16. I took it apart, installed new weight cord (as the original cord was long gone), hammered out a bent gear, and put it back together. After some trial-and-error with new issues, I finally successfully fixed it. I am still incredibly proud of my restoration of this clock, not just as it was a challenging project, but also because it was the first project where I successfully transformed an antique from something that had little more than decorative value into a functional object once again.
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When I had graduated high school, I discovered an outdoor area of my local antique store with shelves and boxes full of rusting and tarnishing light fixtures and lamps, many of which also had several coats of paint on them. After buying two boxes of antique light fixtures ranging from a turn-of-the-20th century brass chandelier and a Storybook style cast aluminum light to an Art Deco gooseneck table lamps and a mid-century over-the-headboard lamp, I have been

slowly working through each light, uncovering and resurrecting its history. Since I started my restorations, I have restored at least 12 different antique lamps and light fixtures, and I don't intend on stopping!​
This antique restoration has extended into a variety of other aspects of my life, as well. This includes dabbling in historic fashion studies, digitally restoring antique postcards, and even learning to play music on historical instruments. I have a harpsichord, though it is not old and I personally prefer to play jazz on it!
Résumé
Education
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Bachelor of Architecture
University of Oregon: Clark Honors College
06/2024 Magna Cum Laude
Eugene, Oregon
• Intensive research and writing courses through the Clark Honors College
• Studied in Siena and Vicenza, Italy
• Wrote a thesis on the preservation of Venice, Italy
• Studies in sustainability and adaptive reuse
• Created ceramic sculptures and restored antiques during free time
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Relevant Work Experience
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Richaven Architecture & Preservation
Historic Designer
Summer-Fall 2024
Seattle, Washington
• Historically informed, code- compliant designs for historic buildings
• Details and basic MEP drawings for buildings
• Preservation Plans for future buildings in historic contexts
• Site visits and field reports
Bahna Design
Intern/Independent Worker
Summer 2023, Present
Astoria, Oregon
• Entrepreneurial Spirit: Worked for myself under my own name
• Designed an ADU and drew construction documents
• Determined finish materials for renovated rooms
Northwest Railway Museum
Volunteer
Winter 2025-Present
Snoqualmie, Washington
• Restoration of historic train cars
• Learning and application of woodworking and metalworking skills
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Skills
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Autodesk Revit
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McNeel Rhinoceros 3D
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Adobe Photoshop CS5
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Adobe Creative Suite
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Microsoft Office
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Bluebeam Revu
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Italian (A2)
